quantum-bit.it » Classical » Bach / Michael Murray - The Young Bach (The Gabriel Kney Organ At The College Of St. Thomas, St. Paul, Minnesota)

Bach / Michael Murray - The Young Bach (The Gabriel Kney Organ At The College Of St. Thomas, St. Paul, Minnesota) Mp3

Bach Michael Murray Telarc Baroque 1990

Performer: Bach / Michael Murray
Album: The Young Bach (The Gabriel Kney Organ At The College Of St. Thomas, St. Paul, Minnesota)
Label: Telarc
Catalog #: CD-80179
MP3: 2729 mb | FLAC: 1066 mb
Released: 25 Oct 1990
Country: US
Style: Baroque
Rating: 4.6/5
Votes: 327
Category: Classical

Bach / Michael Murray - The Young Bach (The Gabriel Kney Organ At The College Of St. Thomas, St. Paul, Minnesota) Mp3

Download MP3 Download FLAC

Tracklist

1	Prelude In C Major, BWV 567	1:17
2	Concerto No. 1 In G Major Nach Prince Ernst, BWV 592	7:45
3	Prelude And Fugue In C Major ("Fanfare"), BWV 531	7:08
4	Prelude And Fugue In D Minor ("Fiddle"), BWV 539	7:50
5	In Dulci Jubilo, BWV 751	2:08
6	Fugue In G Minor ("Little"), BWV 578	4:24
7	Prelude And Fugue In G Minor, BWV 535	8:44
8	Fantasia In G Major, BWV 572	11:12
9	Canzona In D Minor, BWV 588	7:06

Credits

Art Direction – Ray Kirschensteiner
Design [Cover] – Nottingham-Spirk Design Associates, Inc.
Edited By – Rosalind Ilett
Engineer [Recording] – Robert Woods
Other [Technical Assistance] – John Renner, Kajo Paukert, Michael Biship
Photography By [Cover] – Michael Bishop
Producer [Recording] – Elaine Martone

Notes

Total Playing Time: 58:17

Recorded at the College of St. Thomas, St. Paul Minnesota, on June 14 and 15, 1988

Microphones: Sennheiser MKH-20
Digital Recording Processor: Sony 1610
Console: Neotek, custom built
Monitor Speakers: ADS Model 1530

The entire signal path from microphones to digital processors utilized the latest cable technology from Monster Cable, including M1000, Series I Prolink and Series III Prolink bandwidth balanced.

Control Room Acoustic Treatment: Sonex from illbruck/usa
Soundex from Monster Cable

Digital Editing: Sony DAE 1100

During the recording of the digital masters and the subsequent transfer to disc, the entire audio chain was transformerless. The signal was not passed through any processing device (i.e., compression, limiting, or equalization) at any step during production

Special thanks to Gabriel Kney, James Callahan and J. Michael Barone.