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Biosphere - Insomnia Mp3

  • Performer: Biosphere
  • Album: Insomnia
  • Label: Origo Sound
  • Catalog #: SOUND 15, sound 15
  • MP3: 1280 mb | FLAC: 1270 mb
  • Released: 29 Oct 1997
  • Country: Norway
  • Style: Abstract, Soundtrack, Score, Minimal, Ambient, Experimental
  • Rating: 4.9/5
  • Votes: 766
  • Category: Electronic / Stage & Screen
Biosphere - Insomnia Mp3

Tracklist

1Tunnel5:39
2Yard1:17
3Chamber2:25
4Ride2:44
5Quay3:08
6Rush1:33
7Visit1:28
8Probe1:30
9Gate1:39
10Forum4:15
11Shade2:26
12Lounge2:29
13Proem3:16
14Insomnia (Alanïa Mix)
Remix – Alanïa, Ole Johan Mjøs, Rune Lindbæk, Torbjørn Brundtland
3:27
152nd Field5:41
16Field4:37
17Transit1:47

Versions

CategoryArtistTitle (Format)LabelCategoryCountryYear
BIO5CDBiosphere Insomnia ‎(17xFile, AIFF, Album)Biophon RecordsBIO5CDNorway2007
BIO5CDBiosphere Insomnia ‎(17xFile, FLAC, Album)Biophon RecordsBIO5CDNorway2009
BIO5CDBiosphere Insomnia ‎(17xFile, WAV, Album)Biophon RecordsBIO5CDNorway2007
BS107CDBiosphere Insomnia ‎(CD, Album, M/Print, RE, Dig)Beatservice RecordsBS107CDNorway2007
BS107CDBiosphere Insomnia ‎(CD, Album, RE, Dig)Beatservice RecordsBS107CDNorway2007

Credits

  • ArtworkIna Grantenberg Design
  • Design [Cover]Harald Lervik, Peter Tubaas
  • Music By, ProducerGeir Jenssen
  • Photography By [Stillphotos]Torunn Nilsen
  • VocalsMia Kaarinadotter

Notes

© 1997 Origo Sound
℗ 1997 Geir Jenssen

Subtitled "No Peace For The Wicked". This is the soundtrack to the 1997 Norwegian movie 'Insomnia' directed by Erik Skjoldbjærg.

Track 17 mixed for Drum Island Production.

Category on artwork: SOUND 15
Category on CD: sound 15

Barcodes

  • Barcode: 7 040489 000156
  • Rights Society: n©b
  • Matrix / Runout: TOCANO DK 22132
  • Mastering SID Code: IFPI L851
  • Mould SID Code: IFPI 2Z02

Companies

  • Phonographic Copyright (p) – Geir Jenssen
  • Copyright (c) – Origo Sound
  • Pressed By – Tocano – 22132

Video

Agarus
Biosphere's soundtrack to Erik Skjoldbjærg's Nordic detective noir film, INSOMNIA, shows both the strengths and weaknesses of soundtracks in general. Strengths: excellent evocation of atmosphere. Weakness: lack of proper context for the sounds. Thus while the low throb that punctuates "Proem" or the disembodied voice on "Lounge" might amplifying a visual cue, taken from the film, they feel underdeveloped. "Forum" has a quiet haunt to it, while the plucked bass and guitar strums that comes emerge on "Ride" contrast the synth-based ambience elsewhere. The pervading sense on the album, however, is definitely paranoia, with contrasting high tones and low bass hits that keep the listener slightly off balance -- not to mention the angular harmonics ("Transit" manages all three at once). As fitting a soundtrack, most of the individual tracks are short, but they occasionally blend together. The longer "Tunnel," however, allows for a cut-up voice to appear, accompanied by a "Novelty Waves"-like bassline. The final track, a mix of various parts of the soundtrack by fellow Norwegians Alanïa, puts a downtempo spin to the what's come before. Enjoyable, but soundtracks are always sort of a mixed bag.
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