» » C. A. Ambrosia - Ambrosia Musica Archive Volume One

C. A. Ambrosia - Ambrosia Musica Archive Volume One Mp3

  • Performer: C. A. Ambrosia
  • Album: Ambrosia Musica Archive Volume One
  • Label: Ambrosia Musica
  • Catalog #: CD 7AM 004
  • MP3: 1191 mb | FLAC: 1616 mb
  • Released: 2002
  • Country: Bosnia & Herzegovina
  • Style: Ambient, Avantgarde, Dark Ambient, Experimental, Goth Rock, Soundtrack, Industrial, New Age
  • Rating: 4.9/5
  • Votes: 071
  • Category: Electronic / Rock / Stage & Screen
C. A. Ambrosia - Ambrosia Musica Archive Volume One Mp3

Tracklist

1Ognjen Savija and Nebojsa Savija-Valha duoTwilight Whisper (Version Of Original Track)
Guitar – Ognjen SavijaKeyboards – Nebojša Šavija-ValhaRecorded By, Mixed By – M. Paša Ferović
2Nebojša Šavija-ValhaBrownsville Blues
Vocals, Slide Guitar – Nebojša Šavija-ValhaWritten By – Traditional
3Ognjen Savija and Nebojsa Savija-Valha duoArrival (Version Of Original Track)
Guitar – Ognjen SavijaKeyboards – Nebojša Šavija-ValhaRecorded By, Mixed By – M. Paša Ferović
4Ognjen Savija and Nebojsa Savija-Valha duoIt's Only Li
Keyboards – Nebojša Šavija-ValhaMelodeon, Recorded By – Ognjen Savija
5Art Simple De La AmbrosiaAnnouncement
Computer, Sampler, Recorded By, Mixed By – Mirsad DedićLyrics By – Elvir Šahić
6Ognjen Savija and Nebojsa Savija-Valha duoExpression AAM 2.
Bass, Keyboards, Voice – Nebojša Šavija-ValhaGuitar, Flute, Recorded By – Ognjen Savija
7Ognjen Savija and Nebojsa Savija-Valha duoIn Front Of The Door - Movement I (Version Of Original Track)
Bass – Ognjen SavijaKeyboards – Nebojša Šavija-ValhaRecorded By, Mixed By – M. Paša Ferović
8Invisible FieldsOvdje
Bass – Dejan BojanićDrum Programming, Sampler, Recorded By, Mixed By – Zlatan HadžićGuitar, Backing Vocals, Lyrics By – Ognjen SavijaKeyboards – Maja BojanićVocals – Neir Kilalić
9Ognjen Savija and Nebojsa Savija-Valha duoA Dance Of A Cloud
Guitar – Nebojša Šavija-ValhaSynthesizer, Effects, Recorded By – Ognjen Savija
10Ognjen Savija and Nebojsa Savija-Valha duoNo Name Song
Guitar – Nebojša Šavija-ValhaGuitar, Recorded By – Ognjen Savija
11Invisible FieldsIščeznuće
Bass – Dejan BojanićDrum Programming, Recorded By, Mixed By – Zlatan HadžićGuitar, Backing Vocals – Ognjen SavijaKeyboards – Maja BojanićLyrics By – Nebojša Šavija-ValhaVocals – Neir Kilalić
12Art performance by C.A. AmbrosiaLive Movement From A Soundtrack For The Art Performance "Cabaret"
Guitar, Effects, Recorded By – Ognjen SavijaNarrator, Lyrics By – Igor BanjacPercussion – Mirza KrupalijaPerformer – Amir Hodžić, Borut Brumen, Elvir Šahić, Miha Zadnikar, Nebojša Šavija-Valha, Neir Kilalić, Oskar Prebanić, Ranko tK. Milanović Blank
13Ognjen Savija and Nebojsa Savija-Valha duoExpression AAM 1.
Bass, Keyboards, Percussion – Nebojša Šavija-ValhaVoice, Guitar, Recorded By – Ognjen Savija
14Ognjen Savija and Nebojsa Savija-Valha duoIn Front Of The Door - Movement III (Version Of Original Track)
Bass, Keyboards – Ognjen SavijaGuitar – Nebojša Šavija-ValhaRecorded By, Mixed By – M. Paša Ferović
15Ognjen Savija and Nebojsa Savija-Valha duoI Heard A Sound In The Morning
Guitar – Nebojša Šavija-ValhaGuitar, Keyboards, Recorded By – Ognjen Savija
16Ognjen SavijaBrain Torture
Synthesizer, Audio Generator – Ognjen Savija
17Ognjen SavijaSoundtrack For The Art Performance "Project No 18"
Synthesizer, Sampler, Recorded By, Mixed By – Ognjen Savija

Credits

  • DesignIgor Banjac
  • ProducerM. Paša Ferović (tracks: 11-14), Mirsad Dedić (tracks: 5), Thascho (tracks: 4, 6-10, and 15-17), Zlatan Hadžić (tracks: 2 and 3)
  • Producer [Postproduction], Remastered ByThascho

Notes

All tracks recorded from 1988-2000.
Tracks 11-14 were part of the soundtrack for the movie "Young Men Discovering the World" directed by Radim Spaček for the Czech Television, 1994.
Track 15 recorded live from Hard Jazz Cafe "King Kong" in Sarajevo, 1998.

This CD consists of an authentic sound archive material of C.A. Ambrosia. Since the material was recorded on audio tapes, we apologize for low sound and technical quality. During computer remastering a noise was removed, but all other shortages (musical and production) were kept for the sake of authenticity.