» » Daryl Hall & John Oates - Daryl Hall & John Oates

Daryl Hall & John Oates - Daryl Hall & John Oates Mp3

  • Performer: Daryl Hall & John Oates
  • Album: Daryl Hall & John Oates
  • Label: RCA Victor
  • Catalog #: APL1-1144
  • MP3: 2368 mb | FLAC: 1619 mb
  • Released: 1975
  • Country: US
  • Style: Pop Rock, Soul
  • Rating: 4.7/5
  • Votes: 893
  • Category: Rock
Daryl Hall & John Oates - Daryl Hall & John Oates Mp3

Tracklist

1Gino (The Manager)
Written-By – Hall-Oates
4:15
2Camellia
Written-By – Oates
2:47
3(You Know) It Doesn't Matter Anymore
Backing Vocals – Sandy AllenWritten-By – Hall, Allen
3:06
4Out Of Me, Out Of You
Written-By – Hall-Oates
3:29
5Ennui On The Mountain
Written-By – Hall-Oates
3:10
6Sara Smile
Written-By – Hall-Oates
3:07
7Grounds For Separation
Drums – Mike BairdWritten-By – Daryl Hall
4:11
8Soldering
Written-By – Ranglin, Beckford
3:23
9Alone Too Long
Written-By – Oates
3:22
10Nothing At All
Written-By – Hall, Allen
4:22

Versions

CategoryArtistTitle (Format)LabelCategoryCountryYear
NL83836Daryl Hall & John Oates Daryl Hall & John Oates ‎(LP, Album, RE)RCANL83836Europe1984
74465 99754 2Daryl Hall & John Oates Daryl Hall & John Oates ‎(CD, Album, RE)Buddha Records74465 99754 2US2000
ANL1-3463Daryl Hall & John Oates Daryl Hall & John Oates ‎(LP, Album, RE)RCAANL1-3463US1979
74465 99754 2Daryl Hall & John Oates Daryl Hall & John Oates ‎(CD, Album, RE, Son)Buddha Records74465 99754 2US2008
19075829291Daryl Hall & John Oates Daryl Hall & John Oates ‎(LP, Album, Ltd, RE, Pin)Sony Music Commercial Music Group, RCA, Megaforce Records19075829291US2018

Credits

  • A&R [A&R Coordination]Marge Meoli
  • Arranged By [Strings], Arranged By [Horns]Christopher Bond (tracks: A1, B1, B3, B4)
  • Arranged By, Arranged By [Horns, Strings], ProducerChristopher Bond
  • BassLeland Sklar, Scotty Edwards
  • DrumsEd Greene , Jim Gordon
  • EngineerArmen Steiner
  • Engineer, Mixed ByBarry Rudolph
  • Guitar, SynthesizerChris Bond
  • KeyboardsClarence McDonald
  • Mastered ByAZ
  • Other [Make-up], Cover [Concept]Pierre Laroche
  • PercussionGary Coleman
  • Photography ByBill King
  • Vocals, Guitar, ProducerJohn Oates
  • Vocals, Keyboards, ProducerDaryl Hall

Notes

Mastered by Allen Zentz; "H" in runouts is stamped and then scratched out.
Large pressing ring combined with the defaced "H" suggests stampers sourced from RCA Hollywood, but pressed elsewhere.
Writing credits as presented on labels.

First pressing with foil jacket; Issued with lyrics/credits insert

Barcodes

  • Matrix / Runout (Matrix side A, on label): APL1-1144-A
  • Matrix / Runout (Matrix side B, on label): APL1-1144-B
  • Matrix / Runout (Runout A etched / H̶ stamped): APL1-1144-A-1s AZ H̶
  • Matrix / Runout (Runout B etched / H̶ stamped): APL1-1144-B-1S AZ H̶
  • Rights Society: BMI

Companies

  • Phonographic Copyright (p) – RCA Records
  • Copyright (c) – RCA Records
  • Recorded At – Larrabee Sound Studios
  • Mixed At – Sound Labs, Hollywood
  • Published By – Unichappell Music, Inc.
  • Published By – Hot-Cha Music Co.

Haal
Yeah, Daryl Hall and John Oates were just about to slip over the edge when this record came out. Never the less, the cover does not speak for the material held within. This songs, from what would be call The Silver Album, are as strong as any found on Abandoned Luncheonette, and in no way resembles the material found on War Babies.

This is the album that put them over the top with the song, “Sara Smile,” a song about John’s girlfriend. The album also marked the return to the roots of their Philadelphia style of music, known as Rock N’ Soul. Writing and sing smooth pop songs with an edge to them, and gaining a cult following has to be more then difficult ... and would prove difficult for John and Daryl to sustain.

My only regret for Hall and Oates was MTV, the boys just gathered so much over exposure, that they began to think they could walk on water, that anything they did would be accepted by their fans. And while they did gain a huge fan base, they lost their core fans, and collapse of the core can only mean the fall of the house, which is just what happened.

You can still catch Hall and Oates today, they play small clubs again, it’s intimate, responsive and just what it always should have been.

Forget the cover, enjoy the music.

Review by Jenell Kesler
TheSuspect
http://www.barryrudolph.com/stellar/300dollardrumsound.html Nice little technical revelation about how they recorded "sara smile"...
Related to Daryl Hall & John Oates - Daryl Hall & John Oates: