Tracklist
| 1 | Madame ButterflyComposed By – Giacomo Puccini |
| 2 | All I Ask Of YouComposed By – Andrew Lloyd Webber |
| 3 | Angel Of MusicComposed By – Andrew Lloyd Webber |
| 4 | March From AidaComposed By – Giuseppe Verdi |
| 5 | MasqueradeComposed By – Andrew Lloyd Webber |
| 6 | Think Of MeComposed By – Andrew Lloyd Webber |
| 7 | Point Of No ReturnCompilation Producer – Andrew Lloyd Webber |
| 8 | Habanera From CarmenComposed By – Georges Bizet |
| 9 | Opera Favorites |
| 10 | Barber Of SevilleComposed By – Gioacchino Rossini |
| 11 | Wishing You Were Somehow Here AgainComposed By – Andrew Lloyd Webber |
| 12 | Music Of The NightComposed By – Andrew Lloyd Webber |
| 13 | Phantom Of The Opera |
| 14 | Beloved Daddy From Gianni SchicchiComposed By – Giacomo Puccini |
| 15 | Phantom Of The OperaComposed By – Andrew Lloyd Webber |
Versions
| Category | Artist | Title (Format) | Label | Category | Country | Year |
|---|
| BTC-6282 | Ferrante | Ferrante And The Phantom Of The Opera (Cass, Album) | Bainbridge Records | BTC-6282 | US | 1989 |
Credits
- Coordinator [Album] – Scott W. Smith
- Engineer – Bud Snyder
- Engineer [Assistant] – Dirk Van Tilborg
- Music Consultant [Synthesizer] – Phil Wolfe
- Piano, Producer, Arranged By – Arthur Ferrante
Notes
LINER NOTES:
Ferrante of the internationally famous piano-duo of Ferrante and Teicher is playing both pianos on this recording. In essence, he is F&F or, more explicitly, he is now Ferrante and His Twin Pianos. In addition to the two pianos, he has incorporated the use of modern electronic keyboards, permitting him to reproduce sounds of symphonic proportions and create some new tantalizingly spooky effects befitting the Phantom.
For his initial recording as F&F, he has chosen the score to the smash Broadway show, The Phantom Of The Opera. In keeping with the mood, he has also included beautiful themes from the operas Carmen, Madame Butterly, Aida, The Barber of Seville and Puccini's "Beloved Daddy." (Aria from Gianna Schicchi).
Ferrante's challenging arrangements showcase his dazzling technique. The lightning speed of double thirds... the interplay of keyboards from left to right.. the sparkling arpeggios... the cascading chromatic scales... the distrinctive harmonic progressions as well as the lush backgrounds of orchestral quality required 82 hours of studio time to record and edit.
How did Ferrante do it? Only the Phantom knows!
Ferrante plays The Baldwin SD-10 Concert Grand
Barcodes
Companies
- Phonographic Copyright (p) – F & F Music Inc.
- Copyright (c) – F & F Music Inc.
- Recorded At – Telstar Recording Studio, Sarasota, FL
- Mixed At – Telstar Recording Studio, Sarasota, FL