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Frank Znort Quartet - Perler Fra Svin Mp3

  • Performer: Frank Znort Quartet
  • Album: Perler Fra Svin
  • Label: Frank Znort Records
  • Catalog #: FZQV 003
  • MP3: 1812 mb | FLAC: 1373 mb
  • Released: 2012
  • Country: Norway
  • Style: Swing
  • Rating: 4.5/5
  • Votes: 996
  • Category: Jazz / Funk / Blues
Frank Znort Quartet - Perler Fra Svin Mp3

Tracklist

1Nå Vil Jeg Ha Den Store Verden Som Min Lille Lekeplass3:08
2Caldonia2:14
3Jeg Er For Grei2:22
4Honey Hush1:50
5Big Bamboo2:52
6Lulu's Back In Town2:12
7Down On The Corner2:39
8Ich Hasse Musik3:19
9Pills2:30
10Cosmic Sugar3:54
11I Wish I Knew How It Would Feel To Be Free2:34
12Ella Speed5:04
13Gimme Gimme2:18
14Nu Tändas Åter Ljusen2:32
15Mink Schmink4:37
16Mr. Walker3:55
17Miss Molly2:09
18Voi Voi1:54
19Saxofånen3:25
20Demasiado Corazon3:20
21Brown Eyed Handsome Man2:47
22Man Piaba2:50
23Do You Wanna Dance2:57
24Oklahoma Backroom Dancer2:13
25Fun For You3:17
26Too Drunk To Fuck2:39

Versions

CategoryArtistTitle (Format)LabelCategoryCountryYear
NRCD 00064Frank Znort Quartet Perler Fra Svin ‎(2xCD, Album)Nordic RecordsNRCD 00064Norway2012

Notes

2000 copies printed, comes shrink wrapped with a label "PROMOTIONAL COPY - NOT FOR SALE"

Barcodes

  • Barcode: 7 090030 460014

Boraston
Quote from a band member:

"The Album:

What you are about to hear is the result of the seemingly strange idea by bass player and tour coordinator Johannes Sæboe to put one of the least structured jazz bands in Norwegian history in one of the finest recording locations in Europe, bringing an extremely low-key band into the high-end locations of Studio 2, Abbey Road.

Originally intended as a leisurely trip with some recorded rehersal, the stated goal was to record 10 tracks within a 3 day period, for a return to Norway for mixing and mastering......

For reasons somewhat unclear, the quartet got so inspired that by the first day, they had recorded no less than 12 tracks, bringing a quick revision to the original plans, and resulting in no less than 37 recorded songs by the end of the studio session.

Since the same revision concluded that the FZQ had never sounded this good, and probably never will again, the band realized the need to mix and master at the Abbey Road studios, to bring out every faulty note to its highest potential.

Thus resulting in a 75000$ production for a cover band playing for free.

Great fun was had"
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