» » JB³ - Forklift (The Remixes)

JB³ - Forklift (The Remixes) Mp3

  • Performer: JB³
  • Album: Forklift (The Remixes)
  • Label: NovaMute
  • Catalog #: 12 NoMu 49
  • MP3: 1030 mb | FLAC: 1767 mb
  • Released: 18 Nov 1996
  • Country: UK
  • Style: Techno
  • Rating: 4.0/5
  • Votes: 936
  • Category: Electronic
JB³ - Forklift (The Remixes) Mp3

Tracklist

1Forklift (Damon Wild's Subtractive Synth Mix)
Remix – Damon Wild
5:31
2Forklift (Luke Slater's Filtered Remix)
Remix – Luke Slater
7:51
3Forklift (Classic '93 Mix)5:28

Versions

CategoryArtistTitle (Format)LabelCategoryCountryYear
CDNoMu49, 3032-2JB³ Forklift (The Remixes) ‎(CD, Maxi)NovaMute, NovaMuteCDNoMu49, 3032-2US1996
12 NoMu 49JB³ Forklift (The Remixes) ‎(12", W/Lbl)NovaMute12 NoMu 49UK1996
noneJB³ Forklift ‎(Cass, S/Sided, Single, Promo)NovaMutenoneUK1996
NoMu49JB³ Forklift (The Remixes) ‎(4xFile, MP3, 320)NovaMuteNoMu49UKUnknown
CDNoMu49JB³ Forklift (The Remixes) ‎(CD, Maxi)NovaMuteCDNoMu49UK1996
CategoryArtistTitle (Format)LabelCategoryCountryYear
12 NoMu 49JB³ Forklift (The Remixes) ‎(12")NovaMute12 NoMu 49UK1996
12 NoMu 49JB³ Forklift (The Remixes) ‎(12", W/Lbl)NovaMute12 NoMu 49UK1996
noneJB³ Forklift ‎(Cass, S/Sided, Single, Promo)NovaMutenoneUK1996
NoMu49JB³ Forklift (The Remixes) ‎(4xFile, MP3, 320)NovaMuteNoMu49UKUnknown
CDNoMu49JB³ Forklift (The Remixes) ‎(CD, Maxi)NovaMuteCDNoMu49UK1996

Credits

  • Performer [All Sounds Created By]Joey Beltram
  • Artwork [Uncredited]Paul Nicholson
  • Mastered ByNilz

Notes

Recorded at On-One.
Track 2: Remixed at Space Station 0 on behalf of Planetary Assault Systems.
Tracks 3 & 4: Remixed at Synewave N.Y.

Distributed by RTM/Disc
Published by BMG / UFA

℗ 1996 Mute Records Ltd. (On insert), Mute Corporation (On disc)
© 1996 Mute Records Ltd. (On insert), Mute Corporation (On disc)

Made in Great Britain (On insert), Made in USA. (On disc)

Total time: 25:03

This US version includes the UK j-card, so some Company information (Distribution, for example) is inaccurate for the US.All sounds created by Joey Beltram.
Recorded at On-One (...Of Course).
Mastered at The Exchange (London).

Barcodes

  • Barcode (On sticker): 7 24596-3032-2 1
  • Barcode (On j-card): 5016025681761
  • Label Code: LC 5834
  • Matrix / Runout: wea mfg. OLYPHANT X598 HV 3032-2 01 M1S2
  • Mastering SID Code: none
  • Mould SID Code: IFPI 2U2V
  • Barcode: 5016025281763
  • Matrix / Runout: 12 NoMu 49 The Exchange Nilz
  • Label Code: LC 5834

Video

Kann
Luke Slaters remix is absolute filth. Reminds me of how dangerous Techno could be,
Tat
I have to agree with cthulu 303.The Luke Slater mix is the best remix of any track,ever,in my opinion.I remember hearing it for the first time during a Joey Beltram set at the legendary Atomic Jam in Birmingham in 1997 and i had never heard anything like it before.The place went absolutely crazy.One of my favourite techno moments ever.It still sounds so good today.Absolute perfectionism.Cheers.????
Timberahue
Track "Forklift (Luke Slater's Filtered Remix)" is an impressive release which burn the dancefloor for sure! Several filter variations chirurgically realized by M. Slater, especially around the 1/3 of the track duration, contributes to make this record a huge and sure value.
Ndav
Techno Bomb!
Ichalote
Issued around the same time as Jeff Mills's More Drama, the Filtered Remix has a monotonous, looped synth layer, not too distant to that of The Fuzz (Loophole Mix), which confused me a little, the first times, when neither of those tracks was very familiar yet. Later on in the track, as the filter is operating in full effect, the resulting sound is somehow similar to the heavily processed Acid line of Acid Junkies' Two Minds In Motion. In early 1997, before finding out what the track was, those comparisons lead me to refer to it as the Jeff Junkies, or the Acid Mills track. Then, of course, it became difficult to not know what it was, seeing the huge hit status it reached, but it was only years later that I realised the remix was named after another Slater track.

Ten years later, the original (already an oldie in 1997) sounds a bit dull, Wild's mix has been completely forgotten, but Slater's is still immediatley recognisable and terribly efficient, skilfully combining stripped-down passages, tension build-ups and eruptions of sound.
Surely, it qualifies as a very serious contender for the best remix ever crown.
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