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Killing Joke - What's This For...! Mp3

  • Performer: Killing Joke
  • Album: What's This For...!
  • Label: Malicious Damage
  • Catalog #: EGMD 5.50, 2311 082
  • MP3: 2094 mb | FLAC: 1414 mb
  • Released: 1981
  • Country: UK
  • Style: Post-Punk
  • Rating: 4.8/5
  • Votes: 246
  • Category: Rock
Killing Joke - What's This For...! Mp3

Tracklist

1Tension4:31
2The Fall Of Because5:11
3Who Told You How?3:37
4Unspeakable5:18
5Madness7:41
6Follow The Leaders5:32
7Butcher6:09
8Exit3:40

Versions

CategoryArtistTitle (Format)LabelCategoryCountryYear
EGMD 5.50Killing Joke What's This For...! ‎(LP, Album, Promo)EGEGMD 5.50UK1981
noneKilling Joke What's This For...! ‎(CDr, Album, Promo, RE, RM)VirginnoneUK & Europe2005
EGM 111Killing Joke What's This For...! ‎(LP, Album, TP)Editions EGEGM 111US1981
00946 312224 2 9, KJRE2, 312224 2Killing Joke What's This For...! ‎(CD, Album, RE, RM)Virgin, Virgin, Virgin00946 312224 2 9, KJRE2, 312224 2UK & EuropeUnknown
00946 312224 2 9, KJRE2Killing Joke What's This For...! ‎(CD, Album, RE, RM)Virgin, Virgin00946 312224 2 9, KJRE2UK & EuropeUnknown

Credits

  • Engineer [Uncredited]Hugh Padgham, Nick Launay
  • Written-By, ProducerKilling Joke

Notes

The second catalogue number appears between brackets on the back sleeve under the first.

©1981 EG Records LTD (sleeve)

Labels:
© Energy Music 1981
℗ 1981 EG Records LTD

Recording studio and engineers are taken from Jaz Coleman's "Letters From Cythera" book (page 278-279).
Pressing plant and cutting facility are derived from matrix.

Barcodes

  • Matrix / Runout (Runout side A, variant 1): EG MD 550 A//1▽E TH TOWNHOUSE PADRES PRIDE
  • Matrix / Runout (Runout side B, variant 1): EGMD 550 B//1▽E TH TOWNHOUSE NICK & STEVE
  • Matrix / Runout (Runout side A, variant 2): EG MD 550 A//1▽E TH L1 TOWNHOUSE PADRES PRIDE
  • Matrix / Runout (Runout side B, variant 2): EGMD 550 B//1▽E TH TOWNHOUSE NICK & STEVE

Companies

  • Phonographic Copyright (p) – E.G. Records Ltd.
  • Copyright (c) – E.G. Records Ltd.
  • Copyright (c) – Energy Music
  • Recorded At – The Town House
  • Lacquer Cut At – The Town House
  • Pressed By – PRS Ltd.

Video

LiTTLe_NiGGa_in_THE_СribE
Hypnotic, abrasive and totally direct, there is no other record like this.
Heri
Long time KJ fan since my simultaneous discovery in 1984 of S/T (Malicious Damage) 1980 and “Night Time” 1984.
As far as follow-ups to debuts are involved, “What’s This For?” is both a natural continuation as well as a showcase of how unpredictable the band was in terms of defying expectations. Aside from the album’s “hit” single “Follow The Leaders” which isn’t as representative of the rest of the album as any fan would (or wouldn’t) wish, the remainder of the LP is a mixture of simple brutalism, stripped down songs without much artifice, but by no means lacking in their intensity, both as individual pieces and as a whole.
“What’s THIS For?” is apparently KJ’s first real studio child, sine their debut was rumoured to be birthed out of touring and live performances. “The Fall Of Because” remains a definite killer opener to the album and is often cited as such, while “Tension” has an almost underground pop-ish groove to it, albeit strictly in that unique KJ feel. “Unspeakable” and “Butcher” fall under slightly darker tones but are by no means less hypotic in their tribal effectiveness. “Madness” is in my opinion the low point of the album, featuring additional vocals by Big Paul, although his drumming does appear at times to be a hint on the sloppy side. “Who Told You How” has its own unique feel to it, a bit on the morbid side while “Exit” briefly hints at the energy to be found a few years later on “Fire Dances”.
This album remains a strong entry in a legendary band’s legacy, still often quoted by gatherers as an important stepping stone into the band’s ongoing evolution. It doesn’t seem to scorch the skies as their debut did but still manages to burn the house down if allowed so.
Mallador
reviews that described this album as hailing 'a new brutalism' in music were perhaps a reaction to the dominance of the tribal drumming and hypnotic rhythm patterns that had never had such full expression in the post-punk scene of the time. again killing joke delivered a unique music and sound that would influence musicians for years afterwards.
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