Tracklist
| 1 | El Manisero | 2:20 |
| 2 | Torero | 2:16 |
| 3 | Cosita Linda | 3:35 |
| 4 | Dancero | 2:21 |
| 5 | El Bodeguero | 2:27 |
| 6 | Patricia | 2:15 |
| 7 | Nunca | 2:22 |
| 8 | Lamento Borincana | 2:35 |
| 9 | Oyeme Mama | 2:25 |
| 10 | Triana Morena | 2:18 |
| 11 | Las Clases De Cha Cha Cha | 2:35 |
| 12 | El Tunel | 2:10 |
| 13 | Corazon De Melon | 2:45 |
| 14 | En El Mar |
Versions
| Category | Artist | Title (Format) | Label | Category | Country | Year |
|---|
| AFSD 5900 | Marimba Chiapas | Cha Cha Cha Vol.4 (LP, Promo) | Audio Fidelity | AFSD 5900 | US | 1959 |
| AFSD 5900 | Marimba Chiapas | Cha Cha Cha Vol.4 (LP) | Audio Fidelity | AFSD 5900 | US | 1959 |
Credits
- Producer, A&R – Sidney Frey
Notes
AF® - Audio Fidelity® A Study in HIGH FIDELITY Sound
Audio Fidelity inc. 770 Eleventh Avenue, New York 19, N.Y.
Printed in U.S.A. Copyright 1959 Audio Fidelity, Inc.
- - -
Original Plastic inner sleeve Mention :
Audio Fidelity - A Study in HIGH FIDELITY Sound - for those who can HEAR the difference !!!
- - -
Back side of Jacket :
Teach Where CHA CHA CHA come from and How to dance CHA CHA CHA with Foot Moves.
Also mentioned, Sound Recording Specifications :
TECHNICAL DATA ( RIAA )
Total Frequency Range Recording
This recording was made on an AMPEX Tape Recorder
Model 300 with TELEFUNKEN, ELECTROVOICE and ALTEC
Microphones. The Masters were cut on an Automatic
Scully Record Lathe with a Westrex Cutting Head.
Mastering was done with maximum stylus velocity
consistent with minimum distortion realizing the ultimate
in signal to noise ratio.
While the total Frequency range of 16 CPS to 25,000 CPS
on this record may not be within the range of ordinary
human hearing, nevertheless inspection with a microscope
will show the etchings of the upper dynamic frequencies.
However, it is the opinion of the manufacturer that if these
frequencies were omitted from this record a certain warmth
of tone that is felt and sensed rather than heard would be lost.
For this reason and to achieve the ultimate in our " studies in
HIGH FIDELITY sound " we have gone to these extreme
electronic lengths.
Although any 33 ⅓ RPM record playing equipment may be used
in playing this recording. it is recommended that playback equipment
of extreme wide range and fidelity be used so that the
recording may be enjoyed to their utmost.
Low frequency Limit........... 16 CPS
High frequency Limit... 25,000 CPS
Crossover .........................500 CPS
Rolloff ................13.75 DB at 10KC
- - -
Song B6 duration not mentioned
Barcodes
- Matrix / Runout (Label side 1): AFLP 1900-A
- Matrix / Runout (Runout side 1): AFLP # 1900 A - 055 # 0929593
- Matrix / Runout (Label side 2): AFLP 1900-B
- Matrix / Runout (Runout side 2): AFLP # 1900 B - 055 # 0929594
- Rights Society: ASCAP
- Rights Society: BMI
Companies
- Copyright (c) – Audio Fidelity, Inc.