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Michael Murray - The Ruffatti Organ In Davies Symphonic Hall Mp3

Michael Murray Telarc Baroque Neo Romantic 1990

Performer: Michael Murray
Album: The Ruffatti Organ In Davies Symphonic Hall
Label: Telarc
Catalog #: CD-80097
MP3: 2412 mb | FLAC: 1909 mb
Released: 25 Oct 1990
Country: US
Style: Baroque, Neo-Romantic, Romantic
Rating: 4.2/5
Votes: 892
Category: Classical

Michael Murray - The Ruffatti Organ In Davies Symphonic Hall Mp3

Tracklist

1	In Dir Ist Freude ("In Thee Is Gladness"), BWV 615	2:48
2	Gelobet Seist Du, Jesu Christ ("Praise Be Thou, Lord Jesus"), BWV 604	2:05
3	Adagio From Symphony No. 6, Op. 42	9:26
4	Ich Ruf Zu Dir, Herr Jesu Christ ("I Call To Thee, Lord Jesus"), BWV 639	3:01
5	Der Tag, Der Ist So Freudenreich ("This Day So Full Of Joy"), BWV 605	2:18
6	Prelude And Fugue In C, BWV 545	6:58
7	Dieu Parmi Nous ("God Among Us")	8:21
8	Final In B-Flat, Op. 21	11:20
9	Prelude And Fugue In G Minor, Op. 7, No. 3	6:46
10	Wir Glauben All An Einen Gott ("We All Believe In One True God"), BWV 680	3:45
11	Von Gott Will Ich Nicht Lassen ("From God I Will Not Part"), BWV 658	2:41
12	Kyrie, Gott Heiliger Geist ("Lord, God Holy Spirit"), BWV 671	5:23

Versions

Category	Artist	Title (Format)	Label	Category	Country	Year
CD-80097	Michael Murray	The Ruffatti Organ In Davies Symphony Hall ‎(CD, Album)	Telarc	CD-80097	US	Unknown
DG-10097	Michael Murray	The Ruffatti Organ In Davies Symphonic Hall ‎(LP, Album)	Telarc	DG-10097	US	1990

Credits

Art Direction – Ray Kirschensteiner
Composed By – Widor (tracks: 11), Franck (tracks: 12), Bach (tracks: 1 to 8), Dupre (tracks: 10), Messiaen (tracks: 9)
Edited By – Elaine Martone
Engineer [Recording] – Jack Renner
Photography By [Cover] – Jane Lidz
Producer – Robert Woods

Art Direction – Ray Kirschensteiner
Composed By – Widor (tracks: 11), Franck (tracks: 12), Bach (tracks: 1 to 8), Dupre (tracks: 10), Messiaen (tracks: 9)
Edited By – Elaine Martone
Engineer [Recording] – Jack Renner
Photography By [Cover] – Jane Lidz
Producer – Robert Woods

Notes

Total Playing Time: 67:42

TECHNICAL INFORMATION
Recorded in Davies Symphony Hall, San Francisco on April 2, 1984
Microphones: Schoeps Colette Series
Recorders: Soundstream Digital Tape Recorder
Console: Neotek
Monitor Speakers: ADS Model 1530 bi-amplified, ADS Model C2000 Crossover
Power Amplifiers: Threshold Model S/500 Stasis
Interconnecting Cables: Audio-Technica
Control Room Accoustic Treatment: Sonex from illbruck/usa
Digital Editing: Sony DAE 1100

During the recording of the digital masters and the subsequent transfer to disc, the entire audio chain was transformerless. The signal was not passed through any processing device (i.e., compression, limiting, or equalization) at any step during procduction.

Sampling frequency conversion of Telarc's Soundstream digital master to the Compact Disc format was accomplished with the Studer SFC-16 sampling frequency converter. The digital information was not subject to any analog intersteps, thus preserving the integrity of the original digital master.Total Playing Time: 67:42

TECHNICAL INFORMATION
Recorded in Davies Symphony Hall, San Francisco on April 2, 1984
Microphones: Schoeps Colette Series
Recorders: Soundstream Digital Tape Recorder
Console: Neotek
Monitor Speakers: ADS Model 1530 bi-amplified, ADS Model C2000 Crossover
Power Amplifiers: Threshold Model S/500 Stasis
Interconnecting Cables: Audio-Technica
Control Room Accoustic Treatment: Sonex from illbruck/usa
Digital Editing: Sony DAE 1100

During the recording of the digital masters and the subsequent transfer to disc, the entire audio chain was transformerless. The signal was not passed through any processing device (i.e., compression, limiting, or equalization) at any step during procduction.

Sampling frequency conversion of Telarc's Soundstream digital master to the Compact Disc format was accomplished with the Studer SFC-16 sampling frequency converter. The digital information was not subject to any analog intersteps, thus preserving the integrity of the original digital master.