Backing Vocals – Dee Beale (tracks: B1 to B3, C2, C3), Lin Robinson (tracks: A1 to B3, C2, C3)
Bass – Bob Daisley (tracks: D1, D2), Roger Glover (tracks: A1 to C3, D3)
Conductor [Orchestra] – Mr. Takashi Hiroi (tracks: C1)
Drums – Bobby Rondinelli (tracks: B1 to B3, C2, C3, D3), Chuck Burgi (tracks: A1 to A3, C1,), Cozy Powell (tracks: B4, B5, D1, D2)
Engineer – Bruce Robbins
Executive-Producer – Ritchie Blackmore
Guitar – Ritchie Blackmore
Keyboards – David Rosenthal (tracks: A1 to B3, C1 to C3), David Stone (tracks: D1, D2), Don Airey (tracks: B4, B5, D3)
Mastered By – Greg Calbi
Photography By – Ross Halfin
Producer – Roger Glover
Vocals – Graham Bonnet (tracks: B4, B5), Joe Lynn Turner (tracks: A1 to B3, C2, C3), Ronnie James Dio (tracks: D1, D2)
Art Direction – Bill Levy
Backing Vocals – Dee Beale (tracks: B1 to B3), Lin Robinson (tracks: A1 to B3, C2, C3)
Bass – Roger Glover (tracks: A1 to C3)
Cover – Izumi Inoue
Drums – Bobby Rondinelli (tracks: B1 to B3, C2, C3, D3), Chuck Burgi (tracks: A1 to A3, C1,), Cozy Powell (tracks: B4, B5, D1, D2)
Engineer – Bruce Robbins
Guitar, Executive-Producer – Ritchie Blackmore
Keyboards – David Rosenthal (tracks: A1 to B3, C1 to C3), David Stone (tracks: D1, D2), Don Airey (tracks: B4, B5, D5)
Mastered By – Greg Calbi
Photography By – Ross Halfin
Producer – Roger Glover
Vocals – Joe Lynn Turner (tracks: A1 to B3, C2, C3)
Artwork By [Art Direction] – Bill Levy
Artwork By [Cover Illustrations] – Izumi Inoue
Backing Vocals – Dee Beale (tracks: B1 to B3), Lin Robinson (tracks: A1 to B3, C2, C3)
Bass – Roger Glover (tracks: A1 to C3)
Drums – Bobby Rondinelli (tracks: B1 to B3, C2, C3, D3), Chuck Burgi (tracks: A1 to A3, C1,), Cozy Powell (tracks: B4, B5, D1, D2)
Engineer – Bruce Robbins
Executive Producer – Ritchie Blackmore
Guitar – Ritchie Blackmore
Keyboards – David Rosenthal (tracks: A1 to B3, C1 to C3), David Stone (tracks: D1, D2), Don Airey (tracks: B4, B5, D5)
Mastered By – Greg Calbi
Photography – Ross Halfin
Producer – Roger Glover
Vocals – Joe Lynn Turner (tracks: A1 to B3, C2, C3)
Notes
Gatefold sleeve, 'family tree' insert. Originally issued with a 'limited edition' factory sticker on front. Some copies came with a gold 'promotional copy - not for sale' stamp.
Side A recorded at The Tokyo Budokan, 1984 Track B1, Studio Recording, 1981 Track B2, recorded at The Nassau Coliseum, Uniondale, NY, 1981 Track B3, recorded at The Convention Center, San Antonio, TX, 1982 Track B4, recorded at The Monsters Of Rock Festival, Donington, England, 1980 Track B5, Studio Recording, 1979 Track C1, recorded at The Tokyo Budokan, 1984 Track C2-C3, recorded at The Convention Center, San Antonio, TX, 1982 Track D1-D2, recorded at The Omni, Atlanta, GA, 1978 Track D3, Studio Recording, 1981
"Bad Girl" is previously unreleased.
All tracks mixed at Minot Studios, White Plains, NY. Except "Difficult To Cure" Mixed at Soundtech, Norwalk, CTSide A recorded at The Tokyo Budokan, 1984 Track B1, Studio Recording, 1981 Track B2, recorded at The Nassau Coliseum, Uniondale, NY, 1981 Track B3, recorded at The Convention Center, San Antonio, TX, 1982 Track B4, recorded at The Monsters Of Rock Festival, Donington, England, 1980 Track B5, Studio Recording, 1979 Track C1, recorded at The Tokyo Budokan, 1984 Track C2-C3, recorded at The Convention Center, San Antonio, TX, 1982 Track D1-D2, recorded at The Omni, Atlanta, GA, 1978 Track D3, Studio Recording, 1981
"Bad Girl" is previously unreleased.
All tracks mixed at Monot Studios, White Plains, NY. Except "Difficult To Cure" Mixed at Soundtech, Norwalk, CT
Gatefold cover.Original Japan market release which was actually a USA issue imported by Polydor K.K for early sale in Japan before they could produce a "proper" domestic pressing, which eventually came out in March. It was packaged in Japan with a triangle/corner obi. This lower price "import" was sold by Polydor K.K. for ¥2900 around ¥900 lower than the eventual domestic release and a little higher than most independent shops that sold imports. Rainbow had since broken up and had fallen out of popularity with fans in Japan so Polydor KK wasn't really planning on a domestic release until after the overwhelming reception of this direct import release version. Also this was distributed in proper record shops as a way to deter people who couldn't wait for domestic release from buying cheaper grey market imports from independent shops that sold imports. The funny thing about this is the triangle obi has areas that are blacked out with magic marker. Polydor jumped the gun in printing the obi. They originally thought that the vinyl version would have 15 tracks and Street Of Dreams would be included. So you can see where they blacked out "15 tracks" and "Street of Dreams". As we all know, Street of Dreams was included on the cassette version, not the vinyl version.
Barcodes
Matrix / Runout (Stamped Side 1): 827988 A // 2 ▽ 420 W 11
Matrix / Runout (Stamped Side 2): 827988 B // 2 ▽ 420 W 11
Matrix / Runout (Stamped Side 3): 827989 A // 2 ▽ 420 W 11
Matrix / Runout (Stamped Side 4): 827989 B // 2 ▽ 420 W 11
Matrix / Runout (Hand etched on all 4 sides): Phil
Companies
Phonographic Copyright (p) – PolyGram Records, Inc.