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Rainbow - Long Live Rock 'N' Roll Mp3

Rainbow Europe Polydor Hard Rock 2015

Performer: Rainbow
Album: Long Live Rock 'N' Roll
Label: Polydor
Catalog #: 5353631
MP3: 2936 mb | FLAC: 1857 mb
Released: 23 Feb 2015
Country: Europe
Style: Hard Rock
Rating: 4.3/5
Votes: 813
Category: Rock

Tracklist

1	Gates Of Babylon Concertmaster – Ferenc KissConductor, Score [Scored By] – Rainer PietschStrings – Bavarian String Ensemble
2	L. A. Connection
3	Kill The King
4	Rainbow Eyes Cello – Karl Heinz FeitConductor, Score [Scored By] – Rainer PietschFlute – Rudi RisavyRecorder – Max HeckerViola – Ottmar MachanViolin [1st], Concertmaster – Ferenc Kiss Violin [2nd] – Nico Nicolic
5	Sensitive To Light
6	Lady Of The Lake
7	The Shed (Subtle)
8	Long Live Rock 'N' Roll

Versions

Category	Artist	Title (Format)	Label	Category	Country	Year
2066 913	Rainbow	Long Live Rock 'N' Roll ‎(7", Single, Sil)	Polydor	2066 913	UK	1978
PD 14481	Rainbow	Long Live Rock 'N' Roll ‎(7", Single)	Polydor	PD 14481	US	1978
2066 913	Rainbow	Long Live Rock 'N' Roll ‎(7", Single)	Polydor	2066 913	Australia	1978
2066 913	Rainbow	Long Live Rock 'N' Roll / Sensitive To Light ‎(7", Single)	Polydor	2066 913	Germany	1978
2066 913	Rainbow	Long Live Rock 'N' Roll ‎(7", Single)	Polydor	2066 913	UK	1978

Category	Artist	Title (Format)	Label	Category	Country	Year
POLD 5002	Rainbow	Long Live Rock 'N' Roll ‎(LP, Album, Gat)	Polydor	POLD 5002	UK	1978
SPEMC 34	Rainbow	Long Live Rock 'N' Roll ‎(Cass, Album, RE)	Polydor	SPEMC 34	UK	1983
547 363-2	Rainbow	Long Live Rock 'N' Roll ‎(CD, Album, RE, RM)	Polydor	547 363-2	Europe	Unknown
2391 335	Rainbow	Long Live Rock 'N' Roll ‎(LP, Album, Gat)	Polydor	2391 335	Italy	1978
UICY-90515	Rainbow	Long Live Rock 'N' Roll ‎(CD, Album, RE, Min)	Polydor	UICY-90515	Japan	Unknown

Credits

Producer – Martin Birch
Written-By – Blackmore, Dio

Bass – Bob Daisley
Design – Maxi Chan
Drums – Cozy Powell
Guitar, Bass – Ritchie Blackmore
Illustration – Debbie Hall
Keyboards – David Stone
Management [Direction] – Bruce Payne
Mastered By – Greg Moore
Producer – Martin Birch
Vocals – Ronnie James Dio
Written-By – Powell (tracks: B1, B2), Blackmore, Dio

Notes

Gatefold cover and printed inner sleeve with lyrics. Includes a voucher to download MP3 version of the album.

On back cover:
℗ 1978 & © 2014 Polydor Records Ltd./Universal Music Catalogue

On labels:
℗ 1978 Polydor Records Ltd. (UK) © 2014 Polydor Records Ltd. (UK)Another label variation.℗ 1978 Polydor Incorporated

Barcodes

Rights Society: JASRAC
Matrix / Runout (Side A): DPQ-6086A
Matrix / Runout (Side B): DPQ-6086B

Barcode: 6 00753 53631 5
Matrix / Runout (Side A): 122760E1/B www.gzvinyl.com - 5353631-A
Matrix / Runout (Side B): 122760E2/B Greg @ Finyl tweek 5353631-B
Rights Society: BIEM / SDRM

Companies

Phonographic Copyright (p) – Polydor Records Ltd.
Copyright (c) – Polydor Records Ltd.
Published By – Thames Talent Publishing, Ltd.
Published By – BMG Rights Management (UK) Limited
Published By – Blackmore Music Ltd.
Published By – Carlin Music Corp.
Published By – Owl Music Ltd.
Mastered At – Finyl Tweek
Manufactured By – www.gzvinyl.com
Pressed By – GZ Media – 122760E

Phonographic Copyright (p) – Polydor Incorporated
Manufactured By – Polydor K.K.

Video

Dead Samurai

High frequencies very accentuated, but no sibilant. The midrange is not it's strength.

Thats strange, it says gzvinyl.com but the matrix runout is not like theirs. It looks like it was pressed by Pallas.

Here you go: https://imgur.com/gallery/TXRigLet me know what you think :)

Id say that around the last song the inner groove distortion should start. Is that where you get a lot of sibilance? If so then that would seem to be like a DMM cut. They tend to cut grooves that are hard to track for standard carts on the inner grooves.

Here you go: https://imgur.com/gallery/TXRigLet me know what you think :)

Would need to physically look at it, I will do it later today.

DMM is just the way you produce the record, by cutting directly onto the Mother instead of the lacquer, skipping a step in the vinyl making process. Typically using digital files are easy ways to get high frequencies on DMM cuts, as GZ does. A song can be recorded digitally or analog and still be cut using DMM. Now, do the grooves go very close to the label on either side?

To me it sounds very digital, not DMM at all.

Ive never heard of DMM cuts being loud. That depends on the mastering work Im pretty sure. I myself have DMM cuts that are about the same volume as my other standard cuts. GZ vinyl is also know to use a lot of DMM. Let me ask this. Are the grooves running close to the label on either side?

Definitely not DMM, it's not loud enough to meet the volume a DMM reaches.

Sounds like a digitally sourced or DMM cut record then, what do you think?

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