» » UNKLE - Where Did The Night Fall

UNKLE - Where Did The Night Fall Mp3

  • Performer: UNKLE
  • Album: Where Did The Night Fall
  • Label: Surrender All
  • Catalog #: SURR017CD
  • MP3: 2857 mb | FLAC: 1476 mb
  • Released: 10 May 2010
  • Country: UK
  • Style: Indie Rock, Leftfield, Breaks
  • Rating: 4.4/5
  • Votes: 868
  • Category: Electronic / Rock
UNKLE - Where Did The Night Fall Mp3

Tracklist

1Ever Rest
Backing Vocals – Chris GossBass – James Griffith, Joel CadburyDrums – Graham FoxEngineer – Pablo Clements, Sebastian LewsleyEngineer [Drums] – Mike PelanconiFeaturing – Joel CadburyGuitar – Chris Goss, James Griffith, Joel CadburyKeyboards [Additional], Synthesizer [Additional] – Simon James , Tim Young (Chancer)Keyboards, Synth – James Griffith, Joel CadburyPiano – Joel CadburyProducer – Chris Goss, UNKLEProducer [Additional Production] – James GriffithProgrammed By – Pablo ClementsVocals – Joel CadburyWritten-By – J. Griffith, J. Lavelle, J. Cadbury, P. Clements
4:22
2Another Night Out
Arranged By [Orchestral Arrangement] – Jules BuckleyBrass – The Heritage OrchestraCello – Ben Trigg, Rhian PorterDouble Bass – Nicki DavenportEngineer – James Griffith, Pablo ClementsEngineer [Vocals] – Eric Weaver, Joshua BlanchardFeaturing – Mark LaneganFrench Horn – Mark Wood , Sam JacobsGuitar – James GriffithPiano – James GriffithProducer – UNKLEProducer [Additional Production] – James GriffithProducer [Orchestral Production] – Chris WheelerProgrammed By – James Griffith, Pablo ClementsStrings – The Heritage OrchestraSynth – James Griffith, Pablo ClementsTrombone – Alan Hardiman, Steven HaynesTrumpet – Freddie BolsTuba – Mark GraingerViola – Laura Holt, Nozomi CohenViolin – Jennymay Logan, Kit Massey, Nat Jones , Penny Ainscow, Rustom Pomeroy, Sam AylwardVocals – Mark LaneganWritten-By – J. Griffith, J. Lavelle, M. Lanegan, P. Clements
5:13
3The Answer
Backing Vocals – James Griffith, Michael LowryBass – James GriffithDrums – Michael LowryElectric Piano [Fender Rhodes] – Matt PierceEngineer – James Griffith, Pablo Clements, Steve Wright Featuring – Big In Japan (Baltimore)Guitar – James GriffithProducer – UNKLEProducer [Additional Production] – James GriffithProgrammed By – James Griffith, Pablo ClementsSynth – James Griffith, Matt PierceVocals – Gavin Clark, James Griffith, Matt Pierce, Michael LowryWritten-By – J. Griffith, J. Lavelle, M. Pierce, M. Lowry, P. Clements
4:41
4Nowhere
Backing Vocals – Gavin Clark, James Griffith, Joel Cadbury, Tim Young (Chancer)Bass – James Griffith, Joel Cadbury, Steven Young Drums – Graham FoxElectric Piano [Fender Rhodes] – Matthew Pierce Engineer – James Griffith, Pablo ClementsEngineer [Drums] – Mike PelanconiGuitar – Chris Goss, James Griffith, Joel CadburyKeyboards, Synth – Aidan Lavelle, James Griffith, Pablo Clements, Tim Young (Chancer)Producer – Chris Goss, UNKLEProducer [Additional Production] – Dave Bateman , James GriffithProgrammed By – James Griffith, Pablo ClementsRecorded By [Vocals] – Dan GoudieVocals – James LavelleWritten-By – D. Bateman, J. Griffith, J. Lavelle, P. Clements
0:42
5Falling Stars
Backing Vocals – James Griffith, James LavelleBass – Joel CadburyDrums – Michael LowryEngineer – Pablo Clements, Sebastian LewsleyEngineer [Drums] – Pablo ClementsFeaturing – Gavin ClarkGuitar – James Griffith, Joel CadburyKeyboards, Synth – Matt Pierce, Pablo Clements, Simon James Piano – Aidan Lavelle, James Griffith, Joel CadburyProducer – UNKLEProducer [Additional] – James GriffithProgrammed By – Pablo ClementsVocals – Gavin ClarkWritten-By – G. Clark, J. Griffith, J. Lavelle, J.Cadbury, P. Clements
5:50
6On A Wire
Backing Vocals – Joel CadburyBass – James GriffithDrums – Joshua BlockEngineer – James Griffith, Pablo Clements, Sebastian LewsleyEngineer [Drums] – Mike PelanconiFeaturing – ELLE. JGuitar – Joel CadburyKeyboards, Synth – Aidan Lavelle, James Griffith, Pablo ClementsPiano – James GriffithProducer – UNKLEProducer [Additional Production] – James GriffithProgrammed By – Pablo ClementsVocals – ELLE. JWritten-By – ELLE. J, J. Griffith, J. Lavelle, J. Cadbury, P. Clements
4:54
7The Healing
Arranged By [Strings Arrangement] – Andrew Mc Cormack, Jules BuckleyBacking Vocals – Joel CadburyBass – James Griffith, James GriffithCello – Ben Trigg, Rhian PorterDouble Bass – Nicki DavenportDrums – Graham FoxEngineer – Aidan Lavelle, James Griffith, Pablo Clements, Sebastian LewsleyEngineer [Drums] – Mike PelanconiFeaturing – Gavin ClarkGuitar – James GriffithKeyboards, Synth – Aidan Lavelle, James Griffith, Pablo ClementsProducer – Chris Goss, UNKLEProducer [Additional Mix Production] – Aidan LavelleProducer [Additional Production] – Aidan Lavelle, James GriffithProducer [Orchestral Production] – The Heritage OrchestraProgrammed By – Aidan Lavelle, James Griffith, Pablo ClementsStrings – The Heritage OrchestraViola – Laura Holt, Nozomi CohenViolin – Jennymay Logan, Kit Massey, Nat Jones , Penny Ainscow, Rustom Pomeroy, Sam AylwardVocals – Gavin Clark, James LavelleWritten-By – G. Clark, J. Griffith, J. Lavelle, P. Clements
4:28
8Caged Bird
Bass – James GriffithDrums – Joshua BlockEngineer – James Griffith, Pablo Clements, Sean Antanaitis, Sebastian LewsleyEngineer [Drums] – Mike PelanconiEngineer [Vocals] – Sean AntanaitisFeaturing – Katrina FordGuitar – Joel CadburyProducer – UNKLEProducer [Additional Production] – James GriffithProgrammed By – James Griffith, Pablo ClementsSynth – James Griffith, Joel CadburyVocals – Katrina FordWritten-By – J. Griffith, J. Lavelle, J. Cadbury, Katrina Ford, P. Clements
5:09
9Follow Me Down
Arranged By [Orchestral Arrangement] – Jules BuckleyBass – James GriffithBrass – The Heritage OrchestraCello – Ben Trigg, Rhian PorterDouble Bass – Nicki DavenportDrums – Brian Tice, Graham FoxElectric Piano [Fender Rhodes] – Matthew Pierce Engineer – Aidan Lavelle, James Griffith, Pablo Clements, Rob Riley , Sebastian LewsleyEngineer [Drums] – Mike PelanconiFeaturing – Sleepy SunFrench Horn – Mark Wood , Sam Jacobs Guitar – James GriffithKeyboards, Synth – Aidan Lavelle, James GriffithPercussion – Mussa Producer – UNKLEProducer [Additional Production] – Aidan Lavelle, James GriffithProducer [Orchestral Production] – Chris WheelerProgrammed By – Aidan Lavelle, James Griffith, Pablo ClementsStrings – The Heritage OrchestraTrombone – Alan Hardiman, Steven HaynesTrumpet – Freddie BolsTuba – Mark GraingerViola – Laura Holt, Nozomi CohenViolin – Jennymay Logan, Kit Massey, Nat Jones , Penny Ainscow, Rustom Pomeroy, Sam AylwardVocals – Rachel Williams Written-By – J. Griffith, J. Lavelle, P. Clements, Sleepy Sun
4:24
10Heavy Drug
Backing Vocals – Chris Goss, ELLE. J, Joel CadburyBass – Dave Bateman , James GriffithDrums – Graham FoxEngineer – Aidan Lavelle, Dave Bateman , Pablo ClementsEngineer [Vocals] – Pablo Clements, Sebastian LewsleyGuitar – James GriffithKeyboards, Synth – Aidan Lavelle, Chris Goss, Dave Bateman , James Griffith, Pablo ClementsProducer – Chris Goss, UNKLEProducer [Additional Production] – Aidan Lavelle, Dave Bateman , James GriffithProgrammed By – Aidan LavelleVocals – James LavelleWritten-By – A. Lavelle, D. Bateman, J. Griffith, J. Lavelle, J. Cadbury, P. Clements
1:14
11Joy Factory
Bass – Eugene Goreshter, Greg Edwards Drums, Percussion – Carla AzarEngineer – Carla Azar, Greg Edwards , James Griffith, Pablo ClementsFeaturing – AutoluxGuitar – James GriffithKeyboards, Synth – Aidan Lavelle, James Griffith, Pablo ClementsOmnichord – Greg Edwards Producer – Autolux, UNKLEProducer [Additional Production] – James GriffithProgrammed By – James Griffith, Pablo ClementsSynth [Additional] – Simon James Synthesizer [Moog Sonic 6] – Carla Azar, Greg Edwards Vocals – Carla Azar, Greg Edwards Written-By – Autolux, J. Griffith, J. Lavelle, P. Clements
4:00
12Ablivion
Arranged By [Orchestral Arrangement] – Tom Richards Backing Vocals – Chris Goss, ELLE. JBass – James GriffithBrass – The Heritage OrchestraCello – Ben Trigg, Rhian PorterDouble Bass – Nicki DavenportDrums – Joshua BlackElectric Piano [Fender Rhodes] – Matt PierceEngineer – Pablo Clements, Sebastian LewsleyEngineer [Drums] – Mike PelanconiFrench Horn – Mark Wood , Sam Jacobs Guitar – James GriffithKeyboards, Synth – James Griffith, Pablo Clements, Tim Young (Chancer)Producer – Chris Goss, UNKLEProducer [Additional Production] – James GriffithProducer [Orchestral Production] – Chris WheelerProgrammed By – James Griffith, Pablo ClementsStrings – The Heritage OrchestraTrombone – Alan Hardiman, Steven HaynesTrumpet – Freddie BolsTuba – Mark GraingerViola – Laura Holt, Nozomi CohenViolin – Jennymay Logan, Kit Massey, Nat Jones , Penny Ainscow, Rustom Pomeroy, Sam AylwardVocals – James LavelleWritten-By – G. Clark, J. Griffith, J. Lavelle, P. Clements
4:30
13The Runaway
Bass – Joel CadburyDrums – Michael LowryEngineer – Pablo Clements, Sebastian LewsleyEngineer [Vocals] – Sebastian LewsleyFeaturing – ELLE. JGuitar – James GriffithProducer – UNKLEProducer [Additional Production] – James GriffithProgrammed By – James Griffith, Pablo ClementsSynth – James Griffith, Pablo ClementsVocals – ELLE. JWritten-By – ELLE. J, J. Griffith, J. Lavelle, P. Clements
3:47
14Natural Selection
Autoharp [Taishigoto] – Alex Maas (The Black Angels)Backing Vocals – The Black Angels, The Black AngelsBass – James GriffithDrums – Joshua BlackEngineer – James Griffith, Pablo Clements, Sebastian LewsleyEngineer [Vocals] – Kyle HuntFeaturing – The Black AngelsGuitar – James Griffith, The Black AngelsKeyboards, Synth – James Griffith, Pablo Clements, The Black AngelsOrgan – Christian Bland (The Black Angels)Producer – UNKLEProducer [Additional Production] – James GriffithProgrammed By – James Griffith, Pablo ClementsVocals – Alex Maas (The Black Angels)Written-By – J. Griffith, J.Lavelle, P. Clements, The Black Angels
4:12

Versions

CategoryArtistTitle (Format)LabelCategoryCountryYear
SURR017CRUnkle Where Did The Night Fall: Another Night Out ‎(CD, Album, RE + CD, Comp)Surrender AllSURR017CRUK & Europe2011
SURR017LPUNKLE Where Did The Night Fall ‎(3xLP, Album, Pic + Box, Ltd)Surrender AllSURR017LPUK & Europe2010
MR 4779-2UNKLE Where Did The Night Fall ‎(CD, Album)Moon Records MR 4779-2Ukraine2010
SURR017CDXUNKLE Where Did The Night Fall ‎(2xCD, Album + Box, Ltd)Surrender AllSURR017CDXUK & Europe2010
SURR017CDPUNKLE Where Did The Night Fall ‎(CD, Album, Promo)Surrender AllSURR017CDPUK2010

Credits

  • Art DirectionBen Drury, James Lavelle, Warren Du Preez, Nick Thornton Jones
  • Booking [North America James Lavelle DJ Booking Agent]Joel Zimmerman , William Morris Endeavor
  • Booking [North America UNKLE Live Booking Agent]The Windish Agency, Tom Windish
  • Booking [UK/Worldwide James Lavelle DJ Booking Agent]Claire Boyle , Excession
  • Booking [UK/Worldwide UNKLE Live Booking Agent]Andy Duggan , Peter Elliot , Primary Talent
  • Compiled By [Album], Edited By [Album]James Lavelle, Pablo Clements
  • Computer [Protools By]Dan Goudie, Laurence Aldridge
  • Design, Typography [Lettering]Ben Drury
  • ManagementFull Time Hobby, Wez, Randy Reed, Red Light Management
  • Mastered ByMike Marsh
  • Mixed BySteve Dub Jones
  • Performer [UNKLE Is]James Lavelle, Pablo Clements
  • Photography ByWarren Du Preez & Nick Thornton Jones
  • Photography By [Photographic Assistants]Jerome Hunt, Nicole Stillman
  • Photography By [Retouching]Taylor Light Co.
  • ProducerUNKLE
  • Producer [Additional Production]James Griffith
  • Programmed By [Live Drums]Sam Bell
  • Set DesignerJoseph Bennett

Notes

Mixed and tweaked at Musikbox.
Mastered at The Exchange.

Recorded between 2008 - 2010 in Los Angeles, London, Brighton, Henley, Emeryville, Baltimore, Austin, Melbourne and Ibiza:
- Track 1: recorded at Surrender Sounds Studio, Drum Drops Studio. Vocals recorded at Musikbox.
- Track 2: recorded at Surrender Sounds Studio, West Heath Studios, Fish Factory Studio, Drum Drops Studio, Rachel's House, Rob's Home Studio.
- Track 3: recorded at Surrender Sounds Studio, West Heath Studios, Digital Ghetto.
- Track 4: recorded at Surrender Sounds Studio, London |||, Space 23.
- Track 5: recorded at Wright Way Studios, Surrender Sounds Studio.
- Track 6: recorded at Surrender Sounds Studio, West Heath Studio, Drum Drops Studio.
- Track 7: recorded at Surrender Sounds Studio, West Heath Studio, Dog House Studio.
- Track 8: recorded at Surrender Sounds Studio, West Heath Studio.
- Track 9: recorded at Surrender Sounds Studio, West Heath Studios, Drum Drops Studio, Night Worm Studio.
- Track 10: recorded at Surrender Sounds Studio, West Heath Studios, Fish Factory Studio, Drum Drops Studio.
- Track 11: recorded at Surrender Sounds Studio, West Heath Studios, Dog House Studio.
- Track 12: recorded at Surrender Sounds Studio, West Heath Studios, Drum Drops Studio.
- Track 13: recorded at Surrender Sounds Studio, West Heath Studios, Fish Factory Studio, Drum Drops Studio.
- Track 14: recorded at Surrender Sounds Studio, Fish Factory Studios, Conway Studios.

Shot at Big Sky Media Studios, London.

Publishers:
- Track 1: Copyright Control/MCPS/PRS, Hosmer Music (ASCAP).
- Track 2: Sol Diamond Music (BMI), Copyright Control/ MCPS/PRS, Hosmer Music (ASCAP).
- Track 3: Chrysalis Music, Copyright Control/MCPS/PRS, Hosmer Music (ASCAP).
- Track 4: Bioloom Music (BMI), Demure Circuit Music (ASCAP), Etherteen Music (ASCAP), Copyright Control/MCPS/PRS, Hosmer Music (ASCAP).
- Track 5: Albinopines Publishing (ASCAP), Luvean Says Music (ASCAP), Hosmer Music (ASCAP), Copyright Control/MCPS/PRS.
- Track 6: 4AD Music, Copyright Control/MCPS/PRS, Hosmer Music (ASCAP), Campbell Connelly Ltd.
- Track 7: Campbell Connelly Ltd., Copyright Control/MCPS/PRS, Hosmer Music (ASCAP).
- Track 8: Copyright Control/MCPS/PRS, Hosmer Music (ASCAP).
- Track 9: ASCAP, Copyright Control/MCPS/PRS, Hosmer Music (ASCAP), Campbell Connelly Ltd.
- Track 10: Copyright Control/MCPS/PRS, Campbell Connelly Ltd., Hosmer Music (ASCAP).
- Track 11: 4AD Music, Copyright Control/MCPS/PRS, Hosmer Music (ASCAP).
- Track 12: Campbell Connelly Ltd., Copyright Control/MCPS/PRS, Hosmer Music (ASCAP).
- Track 13: Campbell Connelly Ltd., Copyright Control/MCPS/PRS, Hosmer Music (ASCAP).
- Track 14: North Star Media / Three Degrees Music (BMI) for Ripplestick Music (BMI), Copyright Control/MCPS/PRS, Hosmer Music (ASCAP).

(P) & (C) 2010 Surrender All. The copyright in this sound recording is owned by Surrender All.
Made in the UK

Issued in standard jewel case with clear tray including a 32-page booklet with credits and photos. Sticker on front case.

Durations are not mentioned on release.

Barcodes

  • Barcode (Text): 5060100667799
  • Label Code: LC 18624
  • Rights Society: MCPS/PRS
  • Rights Society: ASCAP
  • Rights Society: BMI
  • Matrix / Runout (Variant 1): SURR017CD 01
  • Mastering SID Code (Variant 1): IFPI LY37
  • Mould SID Code (Variant 1): AEW26
  • Matrix / Runout (Variant 2): SURR017CD 01
  • Mastering SID Code (Variant 2): IFPI LY34
  • Mould SID Code (Variant 2): AEW31

Companies

  • Phonographic Copyright (p) – Surrender All
  • Copyright (c) – Surrender All
  • Published By – Copyright Control
  • Published By – Hosmer Music
  • Published By – Sol Diamond Music
  • Published By – Chrysalis Music
  • Published By – Bioloom Music
  • Published By – Demure Circuit Music
  • Published By – Etherteen Music
  • Published By – Albinopines Publishing
  • Published By – Luvean Says Music
  • Published By – 4AD Music
  • Published By – Campbell-Connelly Ltd.
  • Published By – North Star Media
  • Published By – Three Degrees Music
  • Published By – Ripplestick Music
  • Recorded At – Surrender Sounds
  • Recorded At – Drum Drops Studio
  • Recorded At – Musik Box
  • Recorded At – West Heath Studios
  • Recorded At – Fish Factory Studio
  • Recorded At – The Digital Ghetto
  • Recorded At – London |||
  • Recorded At – Space 23
  • Recorded At – Wrightway Studios
  • Recorded At – Dog House Studio
  • Recorded At – Night Worm Studio
  • Recorded At – Conway Studios
  • Mixed At – Musik Box
  • Mastered At – The Exchange

Video

MEGA FREEDY
1. Nowhere:Nice electro-trippy ouverture with a rising sound to make sure "Follow Me Down" gets the right start. New to fans that the intro has no spoken words to open the new approaching UNKLE monster, but as written it's the perfect start to get "Follow Me Down" in the pole position as the first full track.2. Follow Me Down:Female voices with a strong character, bjorkesque, but individual. Pushing drum lines, also very little kind of arabian or oriental bits that also appear in other tracks on this album and also back on war stories; think it's kind a fancy since The Chems started this electroarabic fusion with "Galvanize" - I like that. Additionally, those horns do great, create a sort of epic deepness that shows the filmscore influences. Plus they make a good end of that track. Really a great track, that shows it's possibilities to grow and it's strengthness to morph with it's "Golden Filter Remix", a slower but packed with more glorious and powerful effects. I personally like the original track more, it is really a glower.3. Natural Selection:This version really is what New Order could have become if they were not only quoting themselves. If New Order would have managed to evolve, to make an upright update of their knowledge and creativity, this could be sound of today. But this is not a New Order song, it's a new UNKLE world order track in its best meaning. Unfamiliar how popular it sounds, but at the same time it catches UNKLE and non UNKLE geeks. As the collaborations with South, Verve and Oasis wave their hands of incluence from deep behind, they stand in the spotlight while hearing the Team Ghost remix of this track. Again I'd prefer this album version, as it is nearer to the amalgamation of electro and rock UNKLE today obviously likes to stand for. Krautrockish somehow, I really like the harder guitar parts to lead in and out of the electro parts.4. Joy FactoryThis (sorry to use that word) updated trip-hop style thingy would have also worked very well in the past, giving me memories of great tracks by Gus Gus. The track itself covers a lot of ground, I think the 8bit blinky, bubbly soundbits, which remind me of Nintendo style 1Up Games match with the voices, that wiggle around the bassline. Alltogether conclusive but not the best track on this album.5. The AnswerIs really the answer to the question if this band is really evolving to become a reasonable live band, why they will work on great live gigs, festival and more. This opens up, this takes you on a journey, like a sightseeing bus through the universe, only stopping to see another weird alien race, then moving on. Would also love to see this getting an outer spacer video, close to the vid effects we see on the latest gigs. Definitely among the best three tracks of this album. This is also worth being extended to a very large monster track, even more this track could become UNKLE's live gig 20 minute "Get Ready". It's a live monster, if arranged right in front of a waving mass. Now used as a start, extended it might be the perfect last track on a gig.6. On A WireIf I was forced to name a filler on this album and wouldn't be able to refuse that, this track would be it. Sadly this female voice doesn't fit the impulsive, drifty drum lines, it more slows down than supporting the strong words that could have expressed the anger that lies in the lyrics.7. Falling starsPlease be kind to this song, it might become the president of this album. Another one of the three best tracks of this album. And a good example why UNKLE makes profit from it's knowledge of timing and exact setting of rising levels of emotions. If James says his personal dilemmas are a reason for getting an UNKLE record done, thank god he doesn't live on sunny, daisy filled greenyard. As there are very nice tensions in these words, this would also make a good "next to last" track for a gig.8. Heavy DrugEpic right from the start, why the hell this has been cut short anyway? Would have loved to listen to this as an extended spacy thing. Too sad. Thank god there are longer versions and awesome remixes around.9. Caged BirdAlthough not among the three best tracks, this is the best song with a female voice on this album, as voice and instruments work very well together. No electronic roots on the horizon anymore, but this combination of the dark side of the country/ folk force and the arabic or oriental bits earlier mentioned works as a live song and as an album track. Cool, and definitely no filler, really.10. AblivionIn the beginning of this track, this tune somehow quotes the Never Never Land based Reign, not bad but somehow sounds like from the past. I'd let this pass the door to this album as the live played drums uplifts it to today. Again cool, no filler, but not enough climaxing elements to make it to the stage. As an album track it works great. My proof of appreciation: Wouldn't skip forward while using a mp3 player.11. The RunawayPulsing beats, emotionless singeress, to the point lyrics: This track shows the coolness of the female of today. It fits into the tempo ups and downs of the album, but for me the times of sad, emotionless womens speaking over a monotone sound are over. If there are three weaker songs on this album, this would be number one.12. Ever RestLavelle stated they dropped so many songs, then why has this been taken on the album? This tries to be almost everything, an electronic reminiscence, a reduced percussion track, an criminative Stinglike voice ... If this is more than anything, this would be number two of the three weaker songs.13. The HealingIf this had come earlier on this album, it would stand among those tunes that state the new UNKLE sound. Now it might get lost to the people who skip a few tracks to get to the last and most impressive voice of Mark Lanegan. Number three of the weaker tracks and if those three had to be on this album, why put them so close together? The presence of possible fillers is doubled or more trippled by the continuous closeness of the three weak tracks. Thank god there is14. Another Night OutWhat a great track. As Burn My Shadow marked the end of the electronic NNL era and then felt new but somehow uncomfortable to the UNKLE geeks that had to change direction with James Lavelle. Burn My Shadow growed more and more and is, now that the new album comes to an end, somehow an introduction and a justification for this Johnny cash like country rock track, that is now allowed to wear the label UNKLE. If this is what UNKLE is today, hell yeah, I am truely with you, James & Pablo!The album alltogether is an UNKLE record. Experimental, but always loyal to the different roots of UNKLE, loyal to the different roots of James who puts the Fiction into this album and more to the great Pablo, who put the Psycho back into UNKLE. Getting a full Pablo Clements into this project has done more to the evolution of UNKLE than the pure attempt to include live musicians and high carat singers. In the end we have UNKLE as a project and as a band. Although James is really inventive and creative when it comes to using his connections and skills as a cooperator, but along with the passionate drum adorer Pablo, who knows how to rock a crowd, this is UNKLEstyle at it's best. It is really necessary that this gets the deserved appreciation of more than only from us, the hardcore fanbase.
Nalmergas
This was released 5 months ago yet no one has entered an entry for the limited edition vinyl. Perhaps the greedy price of £100 for a triple album has put people off?
Kelerana
My pictured LP has arrived last month
Brialelis
Perhaps the slow orders delayed the production. However I received my signed copy mid December and I must say I was truly amazed. It did worth the wait, best vinyl production I saw in my life. The box, the photo book and the lyrics book are top quality, real art pieces for the collectors. The picture discs are the most beautiful I've seen but the photo book...
Yainai
Perhaps they still don't have enough orders to justify producing it?
Ese
Still waiting for the vinyl since March 2010. Postponed to November, but November ends today...
Maldarbaq
Hi there. The release of the 3x pictured LP has been postponed to late November 2010. Cheers.
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